Hello my name is Erin

lacollision:

complexcelerycress:

Fuck. My friend just went missing in edmonton today. If you follow me and are in or connected to the area please keep an eye and prayer out for Lou. The high level bridge detail is terrifying me but I’m trying to keep ok. I’m out of town right now which super sucks. There is a search through the river valley tonight…. Use all of your magick powers friends, all of it!

Please keep your eyes open, Edmonton. 

If anyone can help with searching please contact me. 

(via bingofuel)

bauldoff:

The dreamlike “hyper-collages” of American artist Jim Kazanjian are all improvised, digital patchworks of found photography. At no point in his process does Kazanjian employ his camera to capture “just the right’ element. Rather, he relies solely on the organic exercise of allowing each freshly-discovered photographic portion to inform the terminal direction of the whole. via Dezeen

(via thetrentwilkie)

medievalpoc:

nitanahkohe:

Northern women sewing for North American moccasin project: 600 moccasin tops being sewn in memory of missing, murdered indigenous women

Women from across the North are stitching up a storm to prepare for a massive art project. They are part of a group that’s making more than 600 pairs of moccasin tops in memory of Canada’s missing and murdered indigenous women. The beaded works will be displayed as part of a travelling art installation project called Walking with our Sisters. Each pair of moccasins symbolizes the unfinished life of a missing or murdered woman.

Métis artist Christi Belcourt started the project. She said so far, more than 200 pairs have come in. "I’m always emotionally moved when a new pair comes in because I realize that one pair represents a women or a girl," said Belcourt. "People are really putting their love in the work. You can feel it when you hold it in your hand." The moccasin tops will be shown in a winding path on gallery floors. The first exhibition of the moccasin tops will open in Haida Gwaii in B.C. on Aug. 20.

Contemporary Art Week!

(via tammalee)

scorpiondagger:

happy easter! you might recognize this gif from my ‘life of christ’ series. check it out here. 

scorpiondagger:

happy easter! you might recognize this gif from my ‘life of christ’ series. check it out here

Triangle action

bingofuel:

A new YouTube video! This one’s about bowling, Germans and girl-hands.

YOU’RE WELCOME.

(via projectholt)

littlelimpstiff14u2:

 The Ghostly Sculptures of Bruno Walpoth

Ghostly sculptures of Bruno Walpoth. Life-size, his powdered beauties, as if in opposition to their ghostly stature, seem heavy and grounded, their gazes locking whomever sees them into a spiritual arrest.

Working with traditional sculptural methods, Walpoth’s work is almost alchemical in quality.  Muscles, eyes and fingers that have been carved into wood (lime and walnut) or covered with lead leaf foils, seem soft and supple, sad and pensive. Idealistically beautiful, his figures show signs of bones and sinew under fragile skin.

Marks from carving tools show on the surface of the wooden bodies, and serve as quiet reminders that these creatures are not human. The marks break what anthropomorphizing has taken place and the observer is introduced to (or reminded of) the artist.  In a strange way, that break makes these works even more fascinating; they make clearly visible the love that has been passed from the creator to the created.

“Contrary to Geppetto, who constructed himself a child (Pinocchio) out of a piece of wood to banish his loneliness, Bruno Walpoth attempts, perhaps out of awareness of life’s transience, to immortalize the volatile spark of youthfulness he catches in the eyes of his models – sometimes his own children – into a wooden sculpture,” writes Absolute Art Gallery‘s Diana Gadaldi.  Walpoth’s figures are also reminiscent of the children in the paintings of Dino Valls and Gottfried Helnwein, yet are not so tortured nor forced into adulthood.  They are more ghostly, or perhaps more Buddhist, as if silently accepting of a new maturity.  Ms. Gadaldi also states that “[they] seem to be immersed in a moment of intimate meditation. Their detached attitude and dreamy expression are characteristic for the stage of life they are going through: one of slow but inexorable physical and psychological development. As they evolve from children to adolescents and from adolescents to young adults, the first traces of self-consciousness and emotional involvement appear on their often still infantile faces.”

http://www.walpoth.com/wood.html

http://www.modernism.ro/2012/02/19/ghostly-sculptures-of-bruno-walpoth/

(via hifructosemag)

I made another poster for Metro Cinema - The Princess Bride. Still a such a good movie! 
And I got to draw an R.O.U.S. so that’s one off the bucket list.

I made another poster for Metro Cinema - The Princess Bride. Still a such a good movie! 

And I got to draw an R.O.U.S. so that’s one off the bucket list.

I’ve been drawing a lot of chubby cranky dogs lately when I can’t think of anything else to draw. I think I just like drawing double chins

I’ve been drawing a lot of chubby cranky dogs lately when I can’t think of anything else to draw. I think I just like drawing double chins